MACBETH University of Adelaide Theatre Guild The Little Theatre Until 20 Aug 2011 Review by Tony Busch Michael Eustice has mounted a mighty “Macbeth”. Set it a gloomy, atmospheric space, superbly designed by Michael Kumnick, the production makes great use of the available levels and entrances to keep the action flowing, while Alexander Ramsey’s lighting matches every mood. Brant Eustice gives a monumental performance in the title role, though, perhaps in an effort to bring a contemporary feel to the dialogue, he often sloughs off the rhythm of the lines, muddying the sense for unaccustomed ears. His journey from “dare I” to damnation is entirely credible and a joy to watch. Amanda Shillabeer is more than a match as Lady Macbeth, a perfect goad and sinister aide to her husband’s conceit. Her descent from cunning control to madness is finely wrought indeed. The cast is littered with great performances. Michael Kumnick brings great nobility to Banquo. Eddy Knight is genuinely regal as Duncan. Jamie Wright* delivers admirable clarity as Ross. Simon Davey is heroic as Macduff and the final fight, directed by Michael Fuller, is first class. Emily Branford almost steals the show as the Porter. Less successful are the three witches, Sarah Cullinan, Mari Nield and Hannah Dimmock, dressed in Red Cross contamination suits, who create no menace or evil presence and whose dialogue is often unintelligible. Director Eustice should be applauded for creating a great night of theatre and his reward should be full houses for every performance. *Jamie Wright is a reviewer for Adelaide Theatre Guide.