ARTHUR MILLER’S DEATH OF A SALESMAN Therry Theatre The Arts Theatre Until 27 Aug 2016 Review by Janice Bailey Despite having been written in 1949, Arthur Miller’s “Death of a Salesman” deals with issues which are just as relevant today, focusing as it does on the middle-class anxieties which are brought on by a society that emphasizes the hollow values of material success. As parents, we try to validate ourselves by putting high expectations on our children to succeed, so we can believe we are not failures in life. Director Sue Wylie has assembled a strong, cohesive cast who demonstrate a clear understanding of Miller’s complex characters. David Grybowski has taken on the challenging role of Willy Loman and portrays the tragic hero with class, portraying Willy’s anguished attempt to fulfil himself through his professional life at the expense of the betrayal of his soul and family, with a desperation that is almost palpable. Willy’s loyal, long-suffering wife, Linda, is possibly the most enigmatic character in the play, internally conflicted over Willy’s obsession with the American Dream while remaining the force of reason, endeavouring to keep the family intact. Cate Rogers delivers a first-rate performance in this difficult role. Happy Loman has lived his life in the shadow of the inflated expectations of his brother and Mark Healy portrays this self-delusional, ambitious character skillfully. Biff Loman is a multi-dimensional character who acknowledges his failure to live up to expectations and eventually manages to confront it. Adam Tuominen inhabits the role of Biff and for me is the highlight of the play, portraying his character with the ease that comes with experience, understanding and sheer talent. Greg Janzow, Tom Carney, Carol Lawton, Erin Walsh, Megan Langford, Thorin Cupit and Heath Trebilcock all play their roles convincingly. Nick Spottiswoode’s set is cleverly simple but effective with minimum and unobtrusive changes creating the least disruption to the flow of the play, while Gilian Cordell and Ian Rigney have sourced costumes effectively true to the era. Therry and Sue Wylie should be congratulated for having the courage to tackle such a classic play which comes with high expectations. I don’t think anyone who sees it will be disappointed. This is a first-rate production.