THE CAGEBIRDS Until 08 Mar 2012 Review by Celeste Villani Surrounded by four walls, six ‘birds’ are stuck in their black and white ‘aviary’, secluded from the outside world and afraid to break free. When a whimsically dressed ‘wild one’ is brought in from the outside, she encourages them to challenge their monotonous routines – but setting these birds free is harder than just unlocking the latch. Directed by Kelly Mildenhall, ‘The Cagebirds’ by D Campton is an amusing, yet idiosyncratic exploration of freedom, comfort and coercion that sees six ‘birds’ live under the watchful eye of ‘The Mistress’. Although these ‘birds’ may look like they are interacting with each other, they never are, and only ever converse with ‘The Mistress’. The individual characterisation of each ’bird’ is the most important element of this play as all actors are unable to see past their own obsession. From ‘The Gazer’ who is infatuated by her own beauty, to ‘The Gossip’ who is engrossed in the private affairs of others, each character mimics a stereotype evident within society today. These obsessions are highlighted in the music-box style introduction as it gives an insight into each character’s world. Before the actors even speak, the audience has a sound indication of each character’s personality and infatuations. Using only black and white, the set design is very effective and stage levels allow the viewer to differentiate each character’s safe haven. Some elements, specifically Sharron Linford’s backdrop images, provide a cartoonlike dimension – think Disney/Pixar meets Tim Burton. Stage lighting, directed by Matthew Marciniak, enhances the already attractive stage design with smooth scene transitions and creative use of coloured lights. Mildenhall boasts a cast of fine young actors who cannot be faulted as their acting ability and stage presence is impeccable. Each individual is well characterized and as there is never any interaction between birds, the deliveries of their monologues are well-timed and enjoyable. There are no standouts; rather, David Grant, Lili Karamalikis, Marc Lanzoni, Patrick Martin, Henry Sawbridge, Bec Troisi, Georgia Weinert and Paris Whitride should all be congratulated on an outstanding performance. With only four more shows left, this show is definitely worth seeing, so support South Australia’s up and coming theatre talent! Rating 5 stars (out of 5) *Kelly Mildenhall is a reviewer for Adelaide Theatre Guide